I thought I’d coast into this fall by bringing you a retrospective of some of this summer’s sizzling events in the Kansas City Blues scene. A beautiful summer for weather in ol’ KC town, there were plenty of balmy evenings to enjoy a great lineup of blues concerts.
First up, Kansas City’s own Danielle Nicole Schnebelen, perfunctorily known as Danielle Nicole.
Danielle Nicole holds a powerful blues presence as evidenced by her vocals-only performance Tuesday (July 11, 2017) at Knuckleheads where she wow’d an overflow crowd in opening for The Robert Cray Band. Kansas City loves Danielle Nicole and it’s easy to see why – not only is she a riveting guitarist, her vocals hit every note with an emotional barb that hooks her fans into feeling the core message of the lyrics. Plus, she’s beautiful. There’s that.
Danielle Nicole is well-paired with the handsome and talented Brandon Miller who can go toe-to-toe with Danielle in a frenzied instrumental duel – or back up her vocals with harmony on solo acoustic. His smile and good mood contagiously amps up the on-stage vibe between the two, making them one of Kansas City’s great blues combos.
When the Universe conspires to push you into your purpose, you answer the call. It was when the venerable James Harman didn’t take no for an answer that pushed seasoned Kansas City bassist Patrick Recob to get up in front and sing at BB’s Lawnside BBQ one night.
“Nah, James, I ain’t gonna sing no songs.” Recob recalled telling Harman. But Harman wasn’t listening…he was already conspiring, as if an ESP moment had descended upon him – and the scene of Recob’s next career move had just unfolded in front of him. He insisted not only that Recob sing…but also start writing songs and come to California and make a record.
As Recob entertained a crowd at his Perpetual Luau CD release party Oct. 11, 2017 at Knuckleheads Saloon, he provided proof of his songwriting and entertainment chops with diversity that ranged from deep blues in “Dark Night of the Soul” to the love song “We Have Got It Going On.”
Let’s have a listen to how Patrick recalls the Harman encounter (he’s going to follow his story with “Frustration Blues”) from his CD Perpetual Luau:
When an artist writes from the heart, anything and everything can happen. When he pulled out “We Have Got It Going On” – a love song he wrote for his wife, Lisa – Recob rolls out that youthful love feeling, producing a catchy, foot-tapping retro beat reminiscent of the very early blues emergence later termed “Rock and Roll” – stuff that came out the 1950s Sun Records in Memphis with the likes of Kings of Rhythm and Elvis Presley.
Have a listen:
More to come about this artist as we interview him going forward about the distribution of this tasty collection of songs from heart of a true Kansas City bluesman bringing us the pleasure of Perpetual Luau.
Jeremiah Johnson and his band hit Kansas City last weekend in the Gospel Lounge at Knuckleheads. A sold out crowd stuck around throughout the evening to past the midnight hour swaying and dancing to Johnson’s beckoning guitar slides and saxophonist’s Frank Bauer’s tantalizing solos. Between sets, drummer Benet Schaeffer built new friendships by engaging in friendly banter with fans lining the outdoor patio just off the Gospel Lounge stage as everyone seemed to enjoy the perfectly balmy atmosphere of an unseasonably perfect Kansas City August night.
The easy-to-approach Johnson seems to have found one of those perfectly matched groups of musicians who not only match him musically but personality-wise as well. Every single one of them are great musicians in their own right with a confidence that requires no egotistical showboating but plenty of room to showcase their individuality. They share the limelight with seemingly mutual appreciation and affection for their individual talents in addition to that satisfying feeling of tight unison. For musicians, this may seem like par for the course but for audiences, the feeling is magic.
Kansas City’s blues scene has been sizzling nicely this summer with lots of great acts chilling out the local music venues.
Kansas City’s steadfast blues venue BB’s Lawnside BBQ has seen bassist Patrick Recob releasing a new CD, Perpetual Luau, this spring – and it’s been doing really well. Patrick could be seen accompanying several visiting acts, such as Adrianna Marie, The 44s and Orphan Jon and the Abandoned as these groups hit the Midwest for late spring/early summer tours.
Knucklehead’s was hopping several weekends including a great fundraiser for organ donation that brought in performances by Kansas City performers Danielle Nicole and Brandon Miller; Amanda Fish; The Santiago Brothers; and Chubby Carrier and the Bayou Swamp Band from Louisiana.
Marcus King, the 21-year-old phenomenon out of Mississippi, blew on stage July 1 and staked a claim for the millennial crowd as one of the most promising up-and-comers yet. Teresa James and the Rhythm Tramps opened for Marcus and Walter Trout wrapped up the evening with a solid blues veteran showdown.
Then there was Knuckleheads packed in to hear Robert Cray on July 11 and, out of Memphis, a young blues band with a new debut album by the same name: Southern Avenue, July 14.
I have picked up a couple of new song favorites this summer: One is “Don’t Give Up” from Southern Avenue. And the other is just getting pressed at press time and that’s from Bakersfield blues crooner Jon English of Orphan Jon and the Abandoned: “Leave My Blues Alone”