Category: Blues News

Coyote Bill’s Blues Christmas at Westport Saloon

Naught shall keep the blues from its appointed rounds, apparently, so even though this past Monday was Christmas, it was still Coyote Bill’s Monday night Open Blues Jam at Westport Saloon. Plenty of local KC talent braved the 21 degree weather to show out and warm up a dedicated crowd of holiday revelers.

Among the musicians who came out were Koolaide and Miss Bea of Koolaide Exact Change Band – their first time at Westport Saloon – bringing good tidings of great vibes accompanied by John Paul Drum on harmonica. Will Hawkins stepped in on drums and Rick Symmonds on keys.

Blues Jam host William “Bill” Bartelt has had a version of Coyote Bill band for the past 10 years, he said, and has hosted the Coyote Bill Blues Jam at Westport Saloon for the past four years. The current lineup of Coyote Bill includes Bill, Patricio “Pato” Lazen, who joined the band about a year ago, and Kris Schnebelen, who joined in October, 2017, on drums.

Westport Saloon is a cozy, friendly place boasting “live, independent roots music” in the heart of Kansas City’s Westport. There’s a decent size dance floor, two bars and lots of live music variety.

The blues jam has been on Mondays since July but will go to Tuesday nights starting on February 27, 2018 at Westport Saloon. Here’s the upcoming full schedule of events at Westport Saloon.

Coyote Bill; Blues Insights, Kansas City Blues, Westport Saloon, Peggy Stevinson Bair
Koolaide played at the Westport Saloon during the Coyote Bill’s Monday Blues Jam, Dec. 25, 2017. ©2017 Peggy Stevinson Bair/Blues Insights
John Paul Drum played Monday, Dec. 25, 2017 during the Coyote Bill Monday Blues Jam at Westport Saloon. ©2017 Peggy Stevinson Bair/Blues Insights
Miss Bea, bassist with Koolaide Exact Change Band, played Monday, Dec. 25, 2017, during the Coyote Bill Monday Blues Jam at Westport Saloon. ©2017 Peggy Stevinson Bair/Blues Insights
Bassist Russell Niccum played Dec. 25, 2017 during the Coyote Bill Monday Blues Jam at Westport Saloon. ©2017 Peggy Stevinson Bair/Blues Insights
Rick Symmonds played keyboard Dec. 25, 2017 during the Coyote Bill Monday Blues Jam at Westport Saloon. ©2017 Peggy Stevinson Bair/Blues Insights

Heather Newman “Burn Me Alive” – Dec. 1

I didn’t know what to think this past summer when this little pint-size pixie sidled up to the microphone on the stage one Wednesday night during the 2017 Levee Summer Blues Jam. Jam nights are pretty laid back…Newman, casually bespeckled – but even so, nothing could obscure those big eyes underneath. I thought right then, in fact, that she was reminiscent of one of Margaret Keane’s paintings – waif-like and barefooted. I squinted a bit wondering what this gal was doing in a blues jam.

But, then…something about how she wore that big ol’ bass like a comfortable accessory and how, with a smile and flick of her locks, the fellas around her took que and struck in. I quickly surmised I’d better pay attention: she wasn’t there to follow.

She was there to LEAD.

Sure ’nuff, after her step up to the mic, out came a big woman voice that boomed a whole lotta blues outta seemingly nowhere.

Yeah. Fool me once. Never again. Welcome to my first experience of Heather Newman.

I got a chance to catch up with her after her set and found her very down-home friendly. From Omaha originally, Newman has made Kansas City home recently but, clearly, she has that Midwestern approachability. I promised to catch her one of her professional appearances in the future and as luck would have it, the next time I got to connect with her was at Knuckleheads with her own band, The Heather Newman Band.

After waiting around for her to greet her fans before the show, Ms. Newman said she was excited because she had written a new song the day before and run the band through the new tune in less than a day to try it out this very next night. To understand this level of ability, one first has to know that, even though she is only 23 years old, she’s been performing since she was 10, so in Heather Newman years, she’s a seasoned pro.

With the debut of “Burn Me Alive”, it’s easy to see how she taken her raw talents to bolder levels.

Keith Ladd, Lee’s Summit, played guitar with The Heather Newman Band Nov. 16, 2017 at Knuckleheads. Ladd has opened for such bands as Molly Hatchet, The Romantics and Blackfoot. ©2017 Peggy Stevinson Bair.
Ryan Matthew is a classically trained musician who played keys with The Heather Newman band on Nov. 16, 2017 at Knuckleheads. ©2017 Peggy Stevinson Bair

With Lee’s Summit’s Keith Ladd on guitar, classically trained Ryan Matthew on keys and Cole Dillingham (formerly with Amanda Fish band) on drums, Newman is clearly comfortable as a leader of the band (more like keeper of the band’s happiness.) Coaxing her guys through songs with smiles and attention, she never misses a beat while doing what it takes to make sure the sounds are on track. Talent builds talent and begets talent so Newman surrounding herself with such a worthy crew has clearly served to put her at the helm of a great sound at an opportune time in her career – and theirs.

Okay, I’ll stop yammering so you can have a listen to The Heather Newman Band

Coming up Dec. 1 at Knuckleheads, The Heather Newman Band will perform at the CD release party of their debut album: “Burn Me Alive” and if you click this link, you can pre-order the album and/or a tee-shirt with the band’s cool logo on it. Get your Heather Newman Band Knucklehead’s tickets


One more from Nov. 16 at Knuckleheads: “You Mean to Tell Me”

Great Year for Kansas City Blues Scene

I thought I’d coast into this fall by bringing you a retrospective of some of this summer’s sizzling events in the Kansas City Blues scene. A beautiful summer for weather in ol’ KC town, there were plenty of balmy evenings to enjoy a great lineup of blues concerts.

First up, Kansas City’s own Danielle Nicole Schnebelen, perfunctorily known as Danielle Nicole.

Danielle Nicole performed July 11, 2017 at Knuckleheads, opening for The Robert Cray Band. ©2017 Peggy Stevinson Bair

Danielle Nicole holds a powerful blues presence as evidenced by her vocals-only performance Tuesday (July 11, 2017) at Knuckleheads where she wow’d an overflow crowd in opening for The Robert Cray Band. Kansas City loves Danielle Nicole and it’s easy to see why – not only is she a riveting guitarist, her vocals hit every note with an emotional barb that hooks her fans into feeling the core message of the lyrics. Plus, she’s beautiful. There’s that.

Danielle Nicole is well-paired with the handsome and talented Brandon Miller who can go toe-to-toe with Danielle in a frenzied instrumental duel – or back up her vocals with harmony on solo acoustic. His smile and good mood contagiously amps up the on-stage vibe between the two, making them one of Kansas City’s great blues combos.

Brandon Miller, left, performed May 6, 2017, with Danielle Nicole, right, for the MerleJam benefit on the Knucklehead’s outdoor stage. ©2017 Peggy Stevinson Bair
Brandon Miller played and sang with Danielle Nicole July 11, 2017 at Knucklehead’s where the two were opening for The Robert Cray Band. ©2017 Peggy Stevinson Bair


Wednesdays through September – Blues JAM at The Levee in Kansas City


Hey all you Kansas City music lovers – check out Kansas City’s one and only The Levee on Wednesdays (Yes, that includes TONIGHT) for Blues Jams hosted by Sean McDonnell and Brandon Miller.

  • Great food.
  • Great people.
  • Great atmosphere.
  • Great MUSIC
  • It’s The Levee – since 1965, Kansas City’s hot spot for great music.

Here’s a taste of a jam session from July 12, 2017, compliments of Blues Insights:

Come out and listen, dance, groove – have a good time supporting The Levee and all these great musicians. In this video: Sean McDonnell, vocals and guitar, Brandon Miller, drums, Michael LeFever, sax, Carl Cherrito congas, Dylan Reiter on bass and Kyle Hayden on guitar, far right.

There’s plenty of time to come on out between 8 and midnight. See you there!



Blues author Paul Oliver passes away

From left to right: Little Walter, Sunnyland Slim, Roosevelt Sykes, Jump Jackson, Paul Oliver, and Little Brother Montgomery, Chicago, 1960. (1.) [O’Connell]
All I can do is pass along what was relayed to me via the Blues Foundation just now:

Screen Shot 2017-08-15 at 10.43.25 PM

Oliver’s contributions cannot be understated. His book, Conversation With the Blues, is still available on the used market and, if you’re lucky, you’ll find one with the CD included.

If you are a blues lover,  it’s a golden nugget of blues history:

It is through the efforts of writer/enthusiasts like Oliver that there are invaluable preservations, interviews and conversation on blues history and its innovators.

A deeply, heartfelt thank you to Paul Oliver and blessings to his family.

1.) Acknowledgement to Re-Imagining The Blues: A Transatlantic Approach to African-American CultureBY CHRISTIAN O’CONNELLOCTOBER 6, 2014 Please click this link to see another wonderful article.

2.) I am not the owner of the youtube video and do not claim copyright to it but share as an honor memory to Paul Oliver’s work.